Articles

Ód ... The artistic name evokes singing, narration, poetry, odes… It is also a guide to pronounce the first name in Czech of the protagonist, a French singer settled in Brno, Aude Stulírová Martin. She has been living in Moravia for ten years and is an excellent Czech speaker. In that time she has co-founded a band called Šarivary as well as the theatre company of Le Cabaret Nomade. She was also active as an artistic director of the Bonjour Brno festival. Bébé Lune is her current, second album – a collection of lullabies from around the world, it was created by Ód as a result of her winning Expats for Brno, a competition seeking innovative projects. So, while the project is international in its content, it is very closely related to Brno.  more

Anyone who knows the B-Side Band, especially through performing international hit songs with the singer Vojtěch Dyk, or last year’s album Folk Swing, may be surprised by their unique take on a production of Jaromír Hnilička’s Missa Jazz. In fact, the big band’s history is tightly interwoven with the composer’s legendary Jazz Mass.  more

On the occasion of his 66th birthday last year, documentary film-maker, singer-songwriter, musician, author of theatre plays and writer Jiří Vondrák released a double album, one representative of his musical activities at large rather than a selection of his best-known material. Despite the title this is no “best of” collection, instead it’s a noteworthy mix of hits and rare pieces, old songs and new songs, and modern folk and rock pieces. As such it serves as a great introduction to Vondrák, a Renaissance man of culture in Brno, as well as a collector’s item featuring recordings not released elsewhere or almost impossible to find. The first half of the double CD really packs a punch, too.  more

Hajcman, a tramp-swing group with its roots in Brno, released their expected debut album Jednou to bude (It Will Come to Pass). The band’s name, derived from the Czech word for a supporting steel frame in coal mining, is a reference to cave exploring, the hobby of the group’s leader Martin Škrobák, whose first band was called Stalaktit (Stalactite). While the album largely showcases the talents of the tramping legend, it does feature a sample of the band’s work in the form of two songs by Martin, hinting at the direction of the band’s future album of author's songs. It’s Jaroslav Velinský aka Kapitán Kid who is the author of the most of the debut’s collection of songs, the result of over a decade’s effort. An old friend of Martin’s, as well as a fellow musician and inspiration to him, the tramping music king Kapitán Kid had planned to record some “blasts from the past” in 2005 with his previous outfit the Banjo Gang, as described in the sleeve notes and associated songbook. Joint recording sessions with Martin and his friends took place subsequently, but Velinský’s best-known tramping songs from the CD Tempo di kůň (Tempo de Horse; released in 2007) were eventually preferred. This is how these tracks came to be short-listed, with the blessing of Kapitán Kid himself, and recorded just a few years after the songwriter’s death, making it essentially a tribute to him.  more

While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself.  more

“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.  more

The coronavirus crisis of 2020 (and 2021) has had such an impact on the form of the musical market that researchers, with hindsight, will probably ask whether there are any recordings released at that time and not affected by it. Robert Křesťan and Druhá tráva (Second Grass) wanted to work on a double album containing cover versions of songs by his favourites and new own works next to each other. The British producer Eddie Stevens became a part of this ambitious project but the interrupted opportunity of travelling between the Czech Republic and London also stopped work on the 2CD. The band decided not to wait for the easing and released the Díl první (Part One) separately. This is not the exact form of the initially intended first disc. “Releasing cover versions only without any apparent relationship between them and the original works seemed inadequate to us and the production style of Eddie Stevens is individual and unifying in a specific way  to such an extent that we decided to release a mix of the two on the first medium and delay the second part,” explains Křesťan. Therefore, we have Díl první in front of us, but this is not any half-hearted recording or unfinished work. In spite of the Act of God, Druhá tráva has succeeded in recording one of the strongest Czech discs of 2020.  more

One older - not quite typical – Květy´s album began with the words: "The quietest band in the world so as not to disturb the neighbours." The newest album, called a bit mysteriously Květy Květy (Flowers Flowers) begins with this text: “We are heading into the dark at the highest speed.” Can one deduce anything from the fact that the band around Martin E. Kyšperský in the slowest year, at the time of the lockdown, came up with the fastest and perhaps the most energetic album in their career? Or is it more important that, despite all the pressure that emanates from Květy Květy (Flowers Flowers) as a collective work, it is actually a very solitary and intimate record?  more

Tomáš Kytnar, the manager of the Stará Pekárna club in Brno and bandleader of the group Tady To Máš (a pun containing Kytnar's given name 'Tomáš' but meaning 'Here You Are') has been setting Slovak lyrics to music for years. He based several of his albums on the poetry of contemporary Slovak poets Judita Kaššovicová and Erik Ondrejička. When asked if he deliberately avoided Czech lyrics, he replied in an interview for Brno – City of Music in 2013: "I really am thinking a little about Czech, but I will definitely not look for something in a systematic way or place an advertisement. As Slovak poets actually came to me by themselves, the Czech ones should come by way of chance, shouldn't they?" Seven years have passed. Since then, Kytnar and his band have released the "Slovak" albums Srdiečka tiché (Silent Hearts) and Krajina diamantov (Land of Diamonds), and... this year a change is coming. The novelty Ryba Květovoň (loosely translated as Flowerscent Fish) combines Kytnar's typical composing signature with Czech poetry written by Bogdan Trojak.  more

The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.  more

After almost thirty years, Brno has replaced the German capital Berlin as the main centre of the European panel of radio music publicists World Music Charts Europe (WMCE). From Berlin public radio, where the founder of this platform, Johannes Theurer, worked until 30 November 2020, the centre of WMCE's  activities is moving to the Brno headquarters of Radio Proglas. Milan Tesař, one of its two current Czech members and head of the music section of Proglas, became the new secretary of the panel starting from 1 December.  more

Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.  more

Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.  more

Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.  more

Those who were captivated by the introductory distinctive song with surrealistic lyrics  Z ježatých hor [From the Spiky Mountains] on the previous album of the Brno group Budoár Staré dámy [Boudoir of an Old Lady] (Sůl [Salt], 2017), can rejoice. The collaboration with the contemporary poet Lubor Kasal that began only three years ago has now resulted in an entire album of his texts set to music. However, the songs on the new album Kostřičky [Little Skeletons] have one more characteristic in common: the production and arrangement contribution by the multi-instrumentalist Tomáš Vtípil.  more