Articles

Jan Skácel would most resolutely protest against the presence of his person in the gallery of musical figures from Brno which this commemorative series is supposed to be. Although raised in a family of teachers in Moravian Slovakia, he had a clear idea of his (non)musicality. You cannot talk about music to me, I have no ear for music, I do not listen to music and I do not understand it. Already in kindergarten in Poštorná, he stubbornly refused to sing with the other children and looked as obstinate then as he did his whole life (Janek will have a hard life, Mrs. Skácelová used to say about her elder son, he will not know how to deal with people as well as Petr). And at the time when he was thinking about a university career as an assistant at the newly-established faculty of education, he talked about musicological education with much scornfulness.  more

“Mario’s” or “Ander’s” were not only visited by Brno cultural bohemians, poets; writers, painters, actors, but also by important figures from all other possible fields. In 1960 and 1970 it was almost a cult place, whose importance still awaits acknowledgement, contemporaries quickly leave this world.  more

On Saturday 21 March 1953 a group of players of the then Symphonic Orchestra of the Brno region with the conductor Waldhans set off to their traditional first spring walk after one of the rehearsals; they spent afternoon in the hills overlooking Královo Pole and were on their way back to Černá Pole, they made a lot of stops and tried to say goodbye many times but unsuccessfully. Finally, one of them remembered that two of their colleagues were playing in a home quartet at the Hrubeš family that evening; we rang the doorbell of their basement flat in Helfertova street before midnight and started to congratulate the famous opera singer on the first spring night. The quartet was on their way home with their instruments but Eduard found other instruments in his collection, distributed them among the new guests (Waldhans was given a wooden spoon) and he made the ensemble play the whole Eine Kleine Nachtmusik by Mozart.  more

The holiday series of Leoš Janáček’s texts Něco o hudbě brněnské (Something about music in Brno) will be concluded by his confession to the city where he spent the majority of his life. It is the year 1866 and Brno is occupied by the Prussian army...

Another part of the series of articles by Leoš Janáček about Brno singer associations is dedicated to the Slavonic singer association of Brno technicians “Zora”.  more

I used to listen to Vilém Přibyl in the Janáček Theatre as a kid and he was one of the few singers who stayed in my memory into the future. He stayed in my head despite several years of a teenage break when opera completly left my life. I am not saying that I recognised his extraordinary abilities already as a child but I did not remember him due to an unusual costume or a non-musical event, so there must have been something about him.  more

This November it will have been ninety years since the composition of the first of the two string quartets by Leoš Janáček. The composition, which is today a natural part of the international quartet repertoire, has a subtitle which is understood only by a few at first sight: Motivated by the Kreutzer Sonata by L. N. Tolstoy. The name of the Belgian violin virtuoso Rodolphe Kreutzer lives today in the collection of great etudes, which must be mastered by every professional violinist, and then in the said sonata, which however was not written by him, but by Beethoven – he dedicated it to him. Another Kreutzer Sonata was written by Tolstoy, not as a sonata but as a more extensive novel: In that, Beethoven's Kreutzer Sonata is the literary motif of one of the characters in a love triangle, a demonic violinist, who charms a young lady, the wife of the narrator, who eventually becomes her murderer.  more

The Bakalas were an unusual couple. He looked at every moment – perhaps even at home in his pyjamas – like the chief conductor of a large orchestra, especially when his hair began to create a distinctive silver aureole in his mature years; he maintained his aristocratic restraint not only as a conductor but also in social and personal contact, he did not move rapidly, he did not raise his voice; we also never heard of him being on first-name terms with anyone and even musicians who had played under him for fifteen years were not sure if he knew their names. No so Mrs. Marie; wherever she came, she was just everywhere, she had something to talk about with everyone and – what was important – one felt that her warmth was genuine. She did not hide her love and admiration for her husband even though she, as a Brno native, referred to him as that boss of yours; it was characteristic that the orchestra referred to him exclusively as Bakala, while to her as Mařenka.  more

In the first post war year, my older colleague from the student quartet and I came from Kroměříž to Brno very briefly: he was trying for admission to the conservatory and I quietly envied him. Back then, the conservatory was already housed in its current building, a former German Teachers Institute; Ferda left me waiting in front of it and went in for information with some papers. After a while, he appeared in the company of a dignified-looking man in glasses, to whom he was saying something vehemently; without them noticing me, like peripatetic philosophers they headed towards Lužánky and disappeared around the corner. Ferda returned just in time when I was already determined to go to catch a train back to Kroměříž. He looked a little distracted.  more

The intersection of human and artistic field lines is something that belongs to the Alfa Passage. Ženíšek's bookstore, HaDivadlo and Metro Music Bar form a triangle to which other specific spaces and activities are attached. This Christmas, they will be joined by the performance of the Czech Christmas Mass by Jan Jakub Ryba for the seventh time. This year's performance's final rehearsal has already taken place; the performance begins today at 10 p.m. The event is organised by HaDivadlo in cooperation with the neighbouring and partnering Švanda café, the actual performance is attended by a wide community of friends. The specific magic of the secular midnight mass in a functionalist church, where the choir stalls are replaced by a gallery, lies in this folksiness and openness. And what is missing in terms of musical perfection is easily compensated for by spontaneity – the spirit of Christmas is apparently revealed here even to non-believers.  more

Even in musical life things happen that cannot be heard even though it may seem like nonsense. But before the music resounds, something must be done for it, and in the case of an organ concert, it is mainly necessary to build the organ. In October, we published an interview with Jan Martin Bejček about the fact that there will be a new, high-quality instrument in Brno and now we return to the topic. The reason is simple – the organ is already here.  more

Valerij Gergijev with Karen Cargill and the London Symphony Orchestra closed the Moravian Autumn in a way which swept aside any doubts concerning the importance of the festival. The concert also showed some niches and particularities in our music life and its place in society today.  more

Leoš Janáček (3. June 185–12.August 1928 Ostrava) awaits his round number anniversary – he will have it in the next Year of Czech Music. The Brno opera deals with it as if unable to sell it to the audience, maybe with disdain, it is hard tell from the outside. The only result is that outside the Janáček Brno festival his work is played seldomly and in poor quality. The warning case was the abhorrently done Cunning Little Vixen as part of the Theatre World festival.  more

The members of the Brno Philharmonic started to appear among the customers of Vaňkovka (Wannieck shopping gallery) yesterday afternoon. They appeared with their instruments dressed casually, in the uniforms of the gallery personnel or as janitors. The unusual performance of Vltava symphonic poem was led by the chief conductor Aleksandar Marković , while Pavel Šporcl accompanied on violin.  more

On Saturday, 18 May, the Philharmonic will for the first time add its Besední dům to the Brno Museum Night. Visitors, for whom the viewing of the foyer with its installed exhibition and information material is not enough, will have the opportunity to take an hour-long guided tour of the palace (from 7:00 p.m. every hour): it will lead across the ceremonial staircase into the large hall (talk about the history of the Besední dům and its current function with a mini concert), then through the office of the chief conductor to the directors' lounge (talk about the Philharmonic and another mini concert) and then to the sound room (an ensemble rehearsal room where visitors will hear a third mini concert and can have their questions answered); when leaving they will once again see the hall from the gallery and pass through the small hall (with a bust of Břetislav Bakala) back into the foyer. A musical performance will be performed in the first half of the evening/night - students and choirs of the Smetanova Art School, and then in the second half by the members of the Philharmonic.  more