For what is already the sixth time the National Theatre Brno has presented promising choreographers from among its own ranks. Yesterday in the Reduta Theatre there was the premiere of another year of the unusual project entitled Choreographic Studio. Nine mini productions were performed by soloists and members of the company to their own choreography.
When you mention “Greek song”, someone might think of Děti z Pirea (called Never on Sunday in English) as performed by Yvetta Simonová and Milan Chladil (or the even older version by Eva Martinová and Karel Duda). Somewhat closer to the present are Martha and Tena Elefteriadu, who are still giving concerts even in the 2018 season and what is more organising courses in Greek dance. The sisters, who alongside Greek music were also active in the field of rock and pop (and Martha’s album Kresby tuší – ‘Ink Drawings’ - is a treasure), according to the young Brno author and musician Jannis Moras “prepared the way” for a new generation of Greek interpreters. In Brno at present there are a number of active groups singing in Greek and a central figure for this community of musicians is Jannis himself, one of three musically active Moras brothers. All three play with their father in the group I Parea, Jannis plays in rebetiko style in the group Anatoli and aside from that has his own group Jannis Moras & banda. There, alongside his brothers Alexis (bass guitar) and Markos (drums) there are two young ladies – Iva Oulehlová (flute and clarinet) and Zuzana Mitrengová (vocals). While Jannis Moras & banda in their vocals, harmonies and of course lyrics in what is for us the exotic language of Greek remind us of traditional music, in reality it is a folk-rock group, which plays exclusively the songs of its leader. And at present Jannis Moras is one of Brno’s most interesting singer-songwriters.
At the end of November, a CD entitled Moravian Voices was released. Modest at a first glance, this album should definitely not miss out on your attention. This music carrier is a part of the Song of the Soul project, whose promoter is Jiří Plocek. Its aim was to introduce the phenomenon of Moravian singability with the example of some areas of Slovácko (Moravian Slovakia).
If you went to the Brno Philharmonic’s New Year Concert expecting a serious, rigorous celebration, with measured and distinguished entertainment, most probably you left extremely disappointed. In your frustration you may have complained and muttered: what was this conducting dance creation, why did they clap to the rhythm of the Radetzky March and primarily – why were we made to sing? And the programme! Last year at least there was Smetana, but this year? Just waltzes and polkas, operettas and whipped cream! If you are not a bitter grouch, it is likely that along with the Brno Philharmonic you danced into 2018 with ease and sprightliness.
The programme of the third Sunday of Advent from the orchestra of the Ensemble Opera Diversa with the help of their sister body – the choir Ensemble Versus – was marked by modern contemporary creations. In the Convent of the Merciful Brethren they performed the works O antifony for baritone and strings and the Magnificat and choir and strings from the ensemble’s court composer Ondřej Kyas and the Sonata da chiesa by the composer Jaroslav Štastný-Pokorný, written under his artistic pseudonym of Peter Graham. The soloist for the evening was the baritone Roman Hoza, while the performance was conducted by Gabriela Tardonová. The concert was broadcast live by Czech Radio Vltava and other stations in the Euroradio network. In this way the music was heard by listeners in Spain, Saarland, Estonia, Sweden, Portugal, Hessen, Denmark, Greece, Iceland, Slovenia and it was broadcast by the BBC.
Pavel Šporcl’s new and first Christmas album Christmas on the Blue Violin, with traditional and less well-known carols, came out at the end of the November. At the same time as the CD is coming on to the market Pavel Šporcl is setting out on a tour of the Czech Republic with the same name. He will be coming to Brno on 11 December together with the Bohuslav Martinů Philharmonic Orchestra, the soprano Jana Šrejma Kačírková and the Czech boys’ choir Boni pueri. The programme (of which not much could be found out ahead of time) and the venue for the concert in the Boby Centre hinted at quite a spectacular and challenging production with many question marks and potential pitfalls. And it should be said right at the outset that precisely because of this the concert cannot really be evaluated artistically.
Since the album Sme len hostia na zemi (We Are Only Guests on the Earth) (2009) Tomáš Kytnar and his group Tady To Máš has brought out a new album every two years. In a time when U2 completes a disc three years after the previous one and reviewers think it is too soon, this can seem like overproduction, but that is nothing compared to Neil Young, who even into his seventies is providing his fans with more than an album a year … However frequency is a relative term, in this case linked to the fact that Kytnar – once a rock pianist, and today more in the genre blues-chanson – still has something to express in music. Some years back he came under the spell of Slovak as a very musical language, and so his albums, even though created in Brno in the circles around the Stará Pekárna club and the Indies studio, contain Slovak poetry put to music. At the same time the new album directly follows on from the previous title Srdiečka tiché (Quiet Heart) and is dedicated solely to the verse of the Bratislava native and wonderful poet of the city Erika Ondrejičky (*1964). Kytnar has drawn on his poetry over the long term – alongside both single-theme albums his poetry also found a place on the preceding recordings Vôňa rána (Fragrant Morning) (2011) and Krátkovlasá čembalistka (Short-haired Harpsichordist) (2013).
Yesterday the biggest hall of the Brno Exhibition Centre – Pavilion P – was filled with an audience of a thousand. The premiere of the ballet West Side Story was completely sold out. The performance was given by the National Theatre Brno, the author of the original concept and also the original choreography is Jerome Robbins, the libretto is by Arthur Laurents, the music from Leonard Bernstein and the song lyrics by Stephen Sondheim. The Brno performance of this world-famous musical was directed by Mário Radačovský, who also created the choreography for this new production. The sets were designed by Marek Hollý and the costumes by Alexandra Grusková. The lighting design was by Tomáš Morávek while the projection was directed by Jan Fuksa and Martin Svobodník.
Přístav, many times winners of Porta and other folk festivals, are not prolific with new albums. In 2001 they made their debut with the recording Prašná cesta (Dirt Road), in 2008 they brought out Papírový drak (Paper Kite) and as recently as in 2017 their third disc PřiHrátky. This average of eight years between LP recordings has one advantage. In between the group plays intensively, work on themselves and so a certain progress should be visible in each new album. Theoretically this should be the case and fortunately with Přístav it is. And just as with the previous disc I stated that Přístav is becoming steadily more convincing, with this new one that feeling has deepened.
Původní komorní opera Jsem kněžna bláznů měla premiéru v brněnské Redutě. Autorkami operní novinky, která mapuje soukromý i tvůrčí život první české spisovatelky Boženy Němcové, se staly skladatelka Lenka Nota a dokumentaristka Olga Sommerová. Libreto vzniklo na základě Němcové korespondence, básní Františka Halase, Vladimíra Holana a Františka Pavlíčka. Novou operu představil Ensemble Opera Diversa v Mozartově v pátek 17. listopadu.
Many comebacks tend to provide rather a nostalgic or even sad perspective on something that will never return. There are however exceptions that prove the rule. Gaia Mesiah returned with its own verve and perhaps even greater energy than before. There were goose bumps at Fléda on Wednesday both among the audience and on stage.
The last concert of the 49th Moravian Autumn International Music Festival took place on Saturday 28 October. Immediately before its fiftieth anniversary the festival chose as an overarching theme ®evolution and the inevitability of progress. For a month signs and posters in Brno have called out to passers-by and attracted them to this ambitious spectacle. After a quick look at the programme, it was clear that the pivotal musical works this year will be primarily innovative achievements of the first half of the 20th century seasoned with the musical delicacy that is early music.
Budoár staré dámy used to be a Brno-based band with a mostly female line-up. Both of these things have changed over the years. These days, the charismatic band-leader and singer Marta Kovářová (neé Svobodová) is currently accompanied by three men. And although part of the band still lives in the South Moravian capital, Marta herself got married and now lives in a “village in a cold gorge”. Her new role of married woman and housewife is projected into several songs “about cooking”. Life in the inhospitable countryside might be connected with the choice of Lubor Kasala’s poem Z ježatých hor (From the Spiky Mountains) (“Mrazem to mrská a zimu pase” – “The whip of frost herds the winter”), the musical version of which the band used at the very start of their new album. It was a good move, because it is an energetic song with a very specific and colourful text (“…kde jektají mývalové umývadel a syčí hadi sprch” – “… where chattering raccoons was in basins and hissing snakes shower”). The dynamics, rhythm and track timing is masterful. The band, despite the fact that these days they no longer have a chance to rehearse together as much as they used to, presents itself in top form – energetic, aggressive, but through all the chaos still organised. There is not a single surplus note to be heard.
Brno said goodbye on Sunday to Marta Kubišová. This made it the first city in the Czech part of the Marta Naposledy (Marta One Last Time) tour. It will end in České Budějovice on her 75th birthday. The Sono Centre, full to bursting, could enjoy not only a cross-section of her musical career but also a tribute to American pop music, given in her latest album “Soul”. As it has been for the last nineteen years she was accompanied on her final tour by Petr Malásek (keyboard) and a band made up of Martin Lehký (double bass), Budy Zbořil (drums), Josef Štěpánek (guitar) and František Kop (saxophone).
The Olomouc Baroque Festival has begun. In the local Jesuit Convent the seventh year of the festival opened with the modern premiere of the serenata Il tribunale di Giove by the Austrian composer Karl Ditters von Dittersdorf. The work was first performed at the birthday celebrations for the Prussian King Frederick the Great on 27 January 1775 and after a repeat in Wroclaw in 1777 it fell into oblivion. The Ensemble Damian decided to reverse this unfortunate fate, and led by the ensemble’s artistic director and director Tomáš Hanzlík they attempted to revive the work. Appearing in the solo roles were Leandro Lafont (Fate and Apollo), Kristýna Vylíčilová (the Genius of Europe and Minerva), Lucie Kaňková (Time and Fortune), Monika Jägerová (Jupiter) and Jakub Rousek (Mars). The costumes and backdrops were designed by the director Hanzlík.
The Slunce [Sun] Festival in Strážnice will be held for the twentieth time this year. Especially lovers of folk music and classical big beat have marked the dates of 12th and 13th July in their calendars. We talked to the director of the Slunce Festival Pavel Kopřiva about the history of the festival, its top moments and hardships, as well as what this year's festival season will be like.
The end of the first school-holiday week was carried in the spirit of celebrations. The 7th of July in fact falls on the birthday of Alena Veselá, a prominent Brno organist and a professor at the Janáček Academy of Music and Performing Arts (JAMU), who celebrated an impressive age of 96 years on that day. The concert, organised particularly for this jubilee, was also the final event of the 39th Brno Organ Festival and as a celebration of the birthday of its founder (and now patron of the whole show), it already has a strong position in the festival programme.
Last weekend, the 74th Strážnice International Folklore Festival 2019 as well as the 37th Strážnice Children's Folklore Festival were held in the South Moravian Mecca of folklore. The biggest folklore festival in the Czech Republic enjoys great interest and it wasn't any different this year either, despite tropical temperatures, with tens of thousands of people coming back to Strážnice again.
On the 100th anniversary of the birth of poet Jiří Orten, the company ProArt prepared a multi-genre project called Ohnice – Where the Wind Is Dancing in the former Brno penitentiary on Cejl Street. The poetic production with verses of the young poet, which reflected his hard and short life, was premiered on 25 June.
The twenty-fourth season of the Concentus Moraviae international music festival came to an end after almost a month of rich musical experiences. Musical works, thematically labelled as the Concert of Nations, guided the festival visitors around thirteen picturesque Moravian towns and gave them a taste of key musical works of (not only) European nations. All this was moreover served in the interpretation of more than twenty world-famous ensembles. With the conscious transnational, cross-border concept overreaching the Czech border, the festival organizers chose the Golden Hall of the renowned Musikverein Concert House as a suitable venue for the closing evening. The extraordinary finals of the 24th season opened thus a series of Concerts of Czech-Austrian Partnership and at the same time announced the celebration of the festival's quarter of a century to be celebrated next year. In accordance with this symbolic overture of the concert, the main star of the festival was the patron of the festival and famous singer Magdalena Kožená, accompanied by the no less famous Collegium 1704 orchestra led by Václav Luks.
One of the biggest promises of the 24th Concentus Moraviae international festival was yesterday’s concert of the legendary Borodin Quartet, whose unique sound is the result not only of hard work but also collaboration with the composer Dmitri Shostakovich. This personal and interpretive trail still influences the group and is passed on to each new member. The programme took place in the library of the castle in Náměšť nad Oslavou , where in the 18th and 19th centuries it was the residence music-loving Haugwitz family. The music of Sergei Prokofiev, Joseph Haydn and Dmitri Shostakovich could be heard by the audience in a venue that was more than merely dignified.
In the summer months Špilberk Castle’s courtyard often resounds to the sound of music. Until September it is possible to combine a tour of the castle with a cultural experience. The organizers have tried to prepare a programme across genres that has something for everyone. Yesterday it was the turn of folk music. Despite the adverse weather the stage was dominated by the Military Art Ensemble Ondráš.
The last premiere of the Brno opera season for the first time ever and rather unusually combined two works. The Janáček Theatre presented the surrealist opera Three Fragments of Juliette by Bohuslav Martinů along with the small opera work The Human Voice by Francis Poulenc. The composed evening, with direction and stage design by David Radok, brought together two almost absurd worlds. And this connection was indeed remarkable dramaturgically, visually but also interpretatively.
The Polish ensemble Szymanowski Quartet at the Concentus Moraviae Festival presented works by their compatriots Karol Szymanowski, Stanisław Moniuszko and Gražyna Bacewicz in the Church of Sts. Peter and Paul in Řeznovice yesterday. The concert was part of worldwide celebrations of the two-hundredth anniversary of birth of Stanisław Moniuszko, which is considered by many to be the founder of Polish national music. The evening was held under the auspices of the Ambassador of the Republic of Poland to the Czech Republic, HE Barbara Ćwioro.
Visitors to concerts meet quite often with quartet compositions written by masters of European music. Haydn's string quartets are perennial stars in the repertoire of a number of ensembles and attention is also paid to works of contemporary European composers. Only exceptionally, however, can listeners take a peek into the musical cuisine of Asian or South American nations. Cuarteto Q-Arte decided to fill this blank space and dedicated itself to the works of Latin American authors. The programme, which they presented yesterday at the chateau in Slavkov u Brna (Austerlitz), consisted of works by Silvestre Revueltas, Alberto Ginastera and Astor Piazzolla. All these three composers combine elements of domestic culture with European training and influences or impulses of different genres.
Why be one of the many average bands when we can be a unique band? The ten-year history of the Brno group Kupodivu could be squeezed into this motto. In 2009, saxophonist Jaroslav Pilný and keyboard player Petr Šašinka first talked about forming a band. In 2019, the band Kupodivu [Surprisingly Enough] is releasing its first full-length album. Exactly in the middle of this ten-year period, in 2014, an important change took place when the original folk band was transformed into an interesting shape with keyboards, saxophone and bass, but without a guitar. The line-up, which resembles rather jazz bands in recent years, has scored at a lot of folk festivals in recent years. Kupodivu won the Porta award for authors, the Rada Notování [Council of Notation] award, won the Moravský vrabec [Moravian Sparrow], and won second place at the Mohelnický dostavník [Mohelnice Stagecoach]. At all these venues they performed music that rather than campfires fits into city clubs, and by far not only folk ones. The album Živočišné pudy [Animal Instincts] summarizes the band's work so far in a dignified way, underlined by the quality sound from the Zlín Studio V.
The Jerusalem Quartet is one of the world's leading quartet performers for many years and is currently one of the most cited chamber music ensembles. At the Concentus Moraviae festival, violinists Alexander Pavlovsky, Sergei Bresler, violist Ori Kam and cellist Kyril Zlotnikov performed in the Great Chateau of Mikulov Castle with a programme stretching in time from Joseph Haydn up to Béla Bartók. The concert was held under the auspices of the Israeli Ambassador to the Czech Republic, HE Daniel Meron.
Man does not live by classical music alone, as the Epoque Quartet, consisting of violinists David Pokorný, Vladimír Klánský, violist Vladimír Kroupa and cellist Vít Petrášek has been convincing us for twenty years already. For their Saturday concert, staged as part of the Concentus Moraviae festival, which took place in the foyer of the Pasáž theatre in Třebíč, the musicians also invited bass clarinettist Petr Valášek, pianist Karel Košárek and percussionist Oleg Sokolov. The programme of the evening consisted entirely of works by contemporary authors flirting in their compositions not only with musical minimalism, but also with jazz and other popular genres.
Znojmo Music Festival enters its 15th season this year. The programme includes concerts, opera performances, gastronomy and a programme for children. The opening concert, performed by the patron of the festival Pavel Šporcl and the PKF - Prague Philharmonia under the baton of Derek Gleeson, is dedicated to the reminder of the fall of the Iron Curtain. The culmination of the festival is the premiere of the scenic oratorio Saul by G. F. Handel. The title roles will be performed by Andreas Scholl and Adam Plachetka. The show will be directed by Tomáš Pilař.
The 165th anniversary of the birth of Leoš Janáček falls on today, Wednesday 3 July 2019. Janáček is one of our opera composers most frequently played abroad. TIC Brno dedicated a tram to him for his birthday this year, with the main characters from his operas graphically rendered by Brno artist Vendulka Chalánková. Janáček also has his own website, an educational trail, a memorial and an opera festival.
The autumn program of the Fléda music club in Brno contains big names of the music world. The August visit of Jon Hopkins', who will appear at the Brno Marathon of Music festival is already at its imaginary beginning. The autumn season officially opens with a September dance party featuring GusGus from Iceland. This will be followed by concerts of Hooverphonic with a new singer, Jan Blomqvist & Band with their complete Disconnected project or the Berlin legend DJ Hell with his Zukunftmusic composition. Rockers De Staat will bring their novelty titled The Bubble Gum, Movits! their most hip-hop record so far – the double album V, Kadebostany in turn will bring their album Monumental. Last but not least, Vitalic with Rebeka Warrior will also be featured presenting their KCompromat project.
The album collects folklore tunes and songs from the Moravian meadows. After several years of work on the Anthology of Moravian Folk Music, the Indies Scope label decided to continue with a new series of folklore recordings called Malovaná truhla [Painted Chest]. One of them is the album Kosecké písně [Mowers' Songs]. The album features Kubíci dulcimer music band from Horňácko, Women's Choir of Hrubá Vrbka, Chotár male choir from Horňácko and others.
Traditionally, the beginning of the summer holidays is accompanied by the festival Boskovice – for the Jewish Quarter. This year's 27th edition will be launched by the Les Bubbey Mayse quartet from France, inspired by Klezmer and traditional Yiddish songs. The musical program also features concerts of bands such as Neurobeat, Khoiba, Kittchen & Aid Kid with Tomáš Neuwerth or Panenské plameny.
The Kamenka Open multi-genre festival will revive the meadow in the Kamenná kolonie neighbourhood in Brno for the tenth time already. This year's guests include Funky Pappa, Jamiroquai Tribute Band and Pleasure Portable. Theatres will be represented by the Hysterie Theatre, Koráb Theatre or the Bez Pravidel Theatre.