The ProART Festival is entering its 15th year. This year for the first time this multi-genre festival is taking place in four towns and cities. In addition to Brno, Valtice and Liberec this year it will also expand to include Plzeň. A total of 34 instructors will lead workshops in contemporary dance, theatre, singing, music, literature and photography. Among them will be Lenka Dusilová, Zdeněk Bína, Eva Vrbková, Radka Fišarová, Zdeněk Král, and Ida Kelarová as well as authors like Josef Formánek, Michal Viewegh, Jiří Hájíček, Alena Mornštajnová and Tereza Boučková.
This international festival is entering its second year. Along with Martin Krajíček and his trio there will be appearances from the Mandolin Orchestra, Vítek Hanulík and Karel Začal, Tři grácie, Megafon and Michal Müller as well as Jiří Plocek and Jitka Šuranská. The festival will include workshops for the participants.
Amadeus MozArt is a ballet production by three contemporary choreographers, inspired by the works and personality of Wolfgang Amadeus Mozart. This project was created from the choreography and direction of Carolina Isach, Uladzimir Ivanou and Dan Datcu. The premiere will take place in the Reduta Theatre, which has a close connection with the figure of the composer.
In late June and July the 15th edition of the Ibérica festival of Ibero-American culture will bring to Brno the atmosphere of the Iberian Peninsula and Latin and South America to Brno. The festival programme will offer a fiesta with music, dancing and traditional dishes at the Old Town Hall, workshops and a film festival. This year's Ibérica will open with a concert by the guitar duo Cortés & Gallardo. José María Gallardo represents the world of the classical guitar and Miguel Angel Cortés comes from the environment of the Los Cortés flamenco dynasty. The biggest stars of the festival will appear in the gala concert in Špilberk Castle Courtyard, which will present the flamenco flautist Sergio de Lope with his group and the flamenco dancer Gema Moneo. The evening will conclude with the guitarist Paco León.
A production of the opera Così fan tutte by Wolfgang Amadeus Mozart has been created by the National Theatre Brno under the direction of Anna Petrželková. Jana Šrejma Kačírková alternating with Pavla Vykopalová, Jana Hrochová alternating with Václava Krejčí, Roman Hoza alternating with Igor Loškár, the guest Polish tenor Karol Kozlowský and many other will be appearing in Petrželková’s opera debut. The musical production was by Jakub Klecker.
Let us hope that Sunday's concert to mark the fifteenth anniversary of the great music band of the Brno-based Valášek Children's Ethnographic Ensemble (Dětský národopisný soubor Valášek) will not be the last event that ever-changing government regulations will allow. And even if that, God forbid, was the case, it would be a dignified farewell.
For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.
The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays: On 18 July, live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.
The Brno-based rock band Kulturní úderka (which translates loosely as "Culture Brigade"), led by singer and guitarist Štěpán Dokoupil, did not keep its fans waiting for too long this time. While there was a fifteen-year break between their first and second albums, the new album Black Metall was released less than two years after the previous album Sarajevská Katarzija (Sarajevo Catharsis). The name of the new album must be handled with care. Úderka has never had anything to do with black metal as a music genre. And once again, we are treated not to metal, but to relatively raw rock, which in some moments is pleasantly softened by the keyboard of Omer Blentič, or the trumpet of their guest artist Jan Kozelek.
Cultural life has endeavoured to move into a sterile and "life-safe" social networking environment in an unequal struggle against the viral phantasm and government lockdown regulations. In the darkest months, music institutions competed with one another in staging recordings of memorable concerts, and major opera houses broadcast to the world those of their performances that gained the most success from spectators.