The observatory at Kraví hora will welcome the Brno music group Nevermore & Kosmonaut. As part of the concert, there will be songs from their latest album Bleděmodré město [Pale Blue City], which won this year's nomination for the Anděl Awards. The evening will be accompanied by video projection on the entire planetarium dome and an exhibition of photographs by David Konečný.
The Tomáš Kočko & ORCHESTRA band released their first album twenty years ago, and now produced its remake. At that time, the band debuted with a song named Horní chlapci [Boys from the Upper End], which referred to the Moravian Wallachian poet Ladislav Nezdařil. The re-recorded album will be launched in the Stará Pekárna music club in Brno.
The Tourist Information Centre recently published the second part of its Authentic Guide THIS IS BRNO II. The city of Brno is presented in it by prominent local personalities from the ranks of artists, publicists, photographers and Brno patriots, plus one Prague writer. One separate chapter in the guide is dedicated to musical Brno; it was written by a performer who calls himself burning.
The Fast Food Orchestra is a perennial star of the Czech Republic’s ska-punk and reggae scene. This year, it will celebrate its 20 years of existence with a series of spring concerts, and will also perform at the Fléda music club. Featured guests appearing in the concert will be Su-shu, Dr. Kary and a number of additional musicians who have gone through this band in the past.
The Summer School of Baroque Music in Holešov focuses on performing vocal-instrumental works of older style periods in the style of informed interpretation of early music. Teaching takes place in the form of workshops and lectures led by domestic and foreign artists and teachers. This year's season offers tuition in all artistic categories that are involved in the performance of the compositions (choir, soloists, ensembles, positive organ, harpsichord, figured bass, violin, viola, cello, bassoon, flute and newly also baroque trombone – sackbut, percussion and viola da gamba). Among the lecturers of this year's run are Anastasia Baraviera, Tereza Válková, Jean-François Lombard, Robin Tyson and Roman Válek.
The Easter Festival of Sacred Music 2019 will again resound in Brno‘s churches. There will be, for example, the world première of a composition by Toivo Tulev, Gregorian chant, Byzantine passion, a symphony for solo violin, organ concerts, dark hours, festive Renaissance Rome or Bach's Easter Oratorio. The theme of this year's season Ceremony / It's Good to Praise the Lord; the programme consists of six concerts and three dark hours.
The composer of classical music František Chaloupka writes conceptual rock albums under the artistic nickname Iszek Baraque. Last year he issued a solo album under the same name. In January of this year, he issued a portrait in film to accompany this almost hour-long song album. This self-portrait was taken care of by the multimedia artist Panáčik, who also works together with Chaloupka on his compositions and operas.
Several years ago, a miracle happened to Jura Hradil. This devotee of the electronic nu jazz alternative came to the hilly Carpathian landscape somewhere on the border between Moravia and Slovakia and heard a song, firstly one, then two, then hundreds. It wasn't a blurry echo of old times, but the bright tone of a Horňácko song.
Originally, it was supposed to be the third part of the YM project, in which the individual members of the group Květy make records of their solo albums of different genres, and their colleagues from the band accompany them. After Lorenzovi hoši [Lorenzo´s Boys] by Martin Kyšperský in country style and after the electronic Japonec [The Japanese Guy] by Aleš Pilgr, Ondřej Kyas´s Solárium [The Sunbed] was hard to classify concerning its genre category. As a solo record, with only an episode contribution by Aleš Pilgr and without any playing participation of Martin Kyšperský.
The small Ponava music club has been renowned in Brno last several years for its very high quality music production. Here and there, its diverse programme also features folklore projects. On Thursday, a duo of the well-known multi-instrumentalist Marian Friedl and the Lachian vocalist Sabrina Pasičnyk performed on this stage.
While trumpeter Jiří Kotača is known to the Brno jazz audience mainly as the bandmaster of the progressive big band Cotatcha Orchestra, on his first CD he presents himself with a different formation. He had met the Swedish guitarist Alf Carlsson during his studies in the Netherlands, and then they met up again and founded their band during Alf's tourist trip to the Czech Republic. Then they invited two very talented Slovak players to a joint trip for music, drummer Kristián Kuruc and double bass player Peter Korman, who is a member of Kotača's big band. This international formation plays Kotača's and Carlsson's original compositions and gets more or less inspired by Moravian, Slovak and above all Scandinavian folklore. The album was given the name Journeys, because journeys – to music, to knowledge and to the heart of souls – are what the life of not only this band revolves around.
With the return to the Janáček Theatre after three years and with the first foreshadowing of the upcoming celebrations of the 250th anniversary of Ludwig van Beethoven's birth, the Brno Philharmonic entered the new year with its traditional, already the 65th New Year concert in history. For this occasion, it chose a programme truly magnificent and appropriate, crowned by the European-famous Ode to Joy. The whole gala evening took place under the baton of Chief Conductor Dennis Russell Davies.