The observatory at Kraví hora will welcome the Brno music group Nevermore & Kosmonaut. As part of the concert, there will be songs from their latest album Bleděmodré město [Pale Blue City], which won this year's nomination for the Anděl Awards. The evening will be accompanied by video projection on the entire planetarium dome and an exhibition of photographs by David Konečný.
The Tomáš Kočko & ORCHESTRA band released their first album twenty years ago, and now produced its remake. At that time, the band debuted with a song named Horní chlapci [Boys from the Upper End], which referred to the Moravian Wallachian poet Ladislav Nezdařil. The re-recorded album will be launched in the Stará Pekárna music club in Brno.
The Tourist Information Centre recently published the second part of its Authentic Guide THIS IS BRNO II. The city of Brno is presented in it by prominent local personalities from the ranks of artists, publicists, photographers and Brno patriots, plus one Prague writer. One separate chapter in the guide is dedicated to musical Brno; it was written by a performer who calls himself burning.
The Fast Food Orchestra is a perennial star of the Czech Republic’s ska-punk and reggae scene. This year, it will celebrate its 20 years of existence with a series of spring concerts, and will also perform at the Fléda music club. Featured guests appearing in the concert will be Su-shu, Dr. Kary and a number of additional musicians who have gone through this band in the past.
The Summer School of Baroque Music in Holešov focuses on performing vocal-instrumental works of older style periods in the style of informed interpretation of early music. Teaching takes place in the form of workshops and lectures led by domestic and foreign artists and teachers. This year's season offers tuition in all artistic categories that are involved in the performance of the compositions (choir, soloists, ensembles, positive organ, harpsichord, figured bass, violin, viola, cello, bassoon, flute and newly also baroque trombone – sackbut, percussion and viola da gamba). Among the lecturers of this year's run are Anastasia Baraviera, Tereza Válková, Jean-François Lombard, Robin Tyson and Roman Válek.
The Easter Festival of Sacred Music 2019 will again resound in Brno‘s churches. There will be, for example, the world première of a composition by Toivo Tulev, Gregorian chant, Byzantine passion, a symphony for solo violin, organ concerts, dark hours, festive Renaissance Rome or Bach's Easter Oratorio. The theme of this year's season Ceremony / It's Good to Praise the Lord; the programme consists of six concerts and three dark hours.
The composer of classical music František Chaloupka writes conceptual rock albums under the artistic nickname Iszek Baraque. Last year he issued a solo album under the same name. In January of this year, he issued a portrait in film to accompany this almost hour-long song album. This self-portrait was taken care of by the multimedia artist Panáčik, who also works together with Chaloupka on his compositions and operas.
In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.
The third event of this year's Moravian Autumn festival was transferred to a theatre stage. The event was made happen by Terén, which is a platform acting as a third stage of the Centre of Experimental Theatre, right after the Goose on a String and HaDivadlo theatres. And it was on this particular stage of the Goose on a String where the world premiere of a stage production of Oedipus by André Gide took place yesterday. Composer Bohuslav Martinů stands behind its equally important incidental music.
The jubilee 50th Moravian Autumn music festival started yesterday at Bobycentrum in Brno with a concert performance of the minimalist opera Einstein on the Beach by composer Philip Glass and director Robert Wilson. The concert version was created by collaboration of visual artist Germaine Kruip, Suzanne Vega and Ictus Ensemble and Collegium Vocale Gent. Although only the music remained from the previously stage show, the length of the concert itself was comparable with the opera work. Hence, the evening lasted almost four hours.
The National Theatre Brno started its new season yesterday by staging The Tales of Hoffmann, an opéra fantastique by French composer Jacques Offenbach with French libretto written by poet Jules Barbier. Directing was undertaken by the recognized artistic tandem SKUTR, consisting of Martin Kukučka and Lukáš Trpišovský. The title role was presented by Luciano Mastro, his faithful companion Nicklausse (and also the figure of the Muse at the end of the show) was performed by Markéta Cukrová. The roles of Hoffmann's sweethearts Olympia, Antonia, Giulietta and Stella have were performed by Martina Masaryková, Pavla Vykopalová, Daniela Straková-Šedrlová and Andrea Široká. The character of Hoffmann's eternal rival (Lindorf/Coppélius/Miracle/ Dappertutto) was interpreted by Ondrej Mráz. The orchestra was led by Ondrej Olos, the choir by Klára Složilová Roztočilová.